Craig Schuftan

transform the world

Culture Club 1

France, 1948. A recording studio somewhere in the bowels of Radio-Telediffusion Francais. Pierre Schaeffer is listening to a scratched record as it loops the same four seconds of  sound over and over again. He starts tapping his foot, grabs a microphone, and starts talking over the rhythm. “It goes un for the treble…” 

Concrete jungle by Schuftronics

France’s national radio station refused to play Antonin Artaud’s ground-breaking radio play ‘To Have Done With The Judgement of God’, and locked it in a cupboard for over a decade. Was Artaud’s work too far ahead of its time for France’s culture-boffins to get their heads around it? Or did they can it because it had too much screaming and too many annoying sound effects in it?

Artaud-detour by Schuftronics

A secret chapter in the history of rock and roll is brought to light. We begin at a plumbing store in New York in 1917, and end with a bald man taking a piss in an art gallery in the mid-90s. Somewhere in between, David Bowie’s ‘Heroes’ is recorded.

Do something boring by Schuftronics

In most vocations, behaving like a freak and saying stuff that doesn’t make sense is considered poor form. But if you’re a musician or an artist, it’s almost a job requirement. So what if you’re a really good singer who just happens to be very well adjusted and normal? “That’s ok”, said Salvador Dali in 1936, “you can fake it. I do”.

Does that make me crazy by Schuftronics

In 1964, a young composer named John Cale sat down at the piano and played a short piece of music called ‘Vexations’ for the 840th time that evening. The one guy who had stayed for the whole show abruptly woke up and started clapping. Meanwhile, in a bar somewhere, Lou Reed played the riff from ‘Louie Louie’ for the 840th time that evening. From the packed dancefloor came a request: “Louie Louie!” Music history was about to be re-written.

Vexations by Schuftronics

Malcolm McLaren famously defined the secret of the Sex Pistols’ success as ‘Cash From Chaos’. But in the beginning, there wasn’t a lot of cash – just chaos. Was the Sex Pistols’ apetite for destruction the legacy of a rich modernist tradition going back to Surrealist pin-up Jacques Vache and his acolyte, Andre Breton? Or did they just like getting into fights?

Destroy passers-by by Schuftronics

If you’re Ben Folds’ roadie, and he asks you to ‘prepare the piano’, he doesn’t mean brushing the lint off the stool and lifting the lid. You’re expected to produce a little briefcase full of screws, tacks, pencil erasers and aluminium pie plates and start shoving them in between the strings so that when Folds hits the keys, it goes ‘bink-bonk-blonk’, in the time-honoured tradition of avant-garde piano music.

Bring the noise by Schuftronics

The inspiration for the Breeders’ ‘Cannonball’ was the 18th century sex criminal, The Marquis DeSade. Why are people still writing songs about him? It’s not because of his books – which are terrible. It’s not because of the orgies either. It’s because of the philosophy he later developed in order to justify the orgies.

You know you're a real koo-koo by Schuftronics

“Ahead of your time”. It sounds grand doesn’t it? A pioneer, a lonely genius with a vision of the future, whose work will go on to inspire people for centuries to come. But being ahead of your time doesn’t feel grand at all. Just ask Futurist composer Luigi Russolo, who heard something like The Chemical Brothers’ ‘Dig Your Own Hole’ in his head in 1910, but had nothing to perform it with except a couple of big cardboard boxes and a rubber band. 

The art of noise by Schuftronics

Art Galleries are boring because there’s not much real life in them. Real life is boring because there’s not enough art in it. The solution, for George Brecht, Nam Jun Paik, Yoko Ono and Al Hansen was obvious – everyday life as art. Some years later, when Hansen met his grandson Beck for the first time, he gave the kid a machete.

Eat the record by Schuftronics

According to Guy Debord, leader of the Situationist International, late capitalism has replaced everyday life with an alienating mish-mash of money and desire called The Spectacle. What’s a modern artist to do? Refuse the spectacle? “That’s hot,” said Debord. Turn your refusal of the spectacle into a spectacle of refusal? “That’s not.”

New radicals by Schuftronics

This is the first series of The Culture Club, which went to air on triple j in 2007. It’s mostly based on the stories and ideas from the book of the same name, so if you want to know more about any of this stuff, that’s probably a good place to start. The random yelling at the start of the intro is from Artaud’s ‘To Have Done With the Judgement of god’


I Life

"Could it be that we come to the city in order to achieve solitude? Such has been the unspoken premise of the modern city of utopian individualism. By solitude I do not mean isolation. Isolation is a state of nature: solitude is the work of culture. Isolation is an imposition, solitude a choice."

walkman | ipod | iphone | isolation | solitude | city | the crowd

La perspective Kubrick en 104 secondesw670h372

Infancy and Progress

"The whole human species, looked at from its origins, appears to the philosopher as an immense whole, which, like an individual, has its infancy and its progress … The totality of humanity, fluctuating between calm and agitation, between good times and bad, moves steadily though slowly towards a greater perfection."

Said nobody, at any time in the last one hundred years. Nowadays, our view of the future is more like the one seen from the middle ages than the Enlightenment. But from where he stood in 1750, or perhaps sat, on a chair a bit like the one pictured above, the French statesman and economist Jacques Turgot could look back on the past five centuries and see a gradual transition from primitive agrarians torturing and killing each other over superstitious nonsense, to the confident era of the Enlightenment, with its stupendous advancements in astronomy, medicine and physics.

enlightenment | progress | history | kubrick | 2001


Lost Paradise

'Thus it is well known that a child learns to walk, talk and to know his way around the world just by trying something out and seeing what happens, then modifying what he does (or thinks) in accordance with what has actually happened. In this way, he spends his first few years in a wonderfully creative way, discovering all sorts of things that are new to him, and this leads people to look back on childhood as a kind of lost paradise. As the child grows older, however, learning takes on a narrower meaning. In school, he learns by repetition to accumulate knowledge, so as to please the teacher and pass examinations. At work, he learns in a similar way, so as to make a living, or for some other utilitarian purpose, and not for the love of the action of learning itself. So his ability to see something new and original gradually dies away. And without it there is evidently no ground from which anything can grow.'

guns n roses | axl rose | daniel bohm | childhood | creativity

Rolling Stones

No Satisfaction

'That human life must be some kind of mistake is sufficiently proved by the simple observation that man is a compound of needs which are hard to satisfy; that their satisfaction achieves nothing but a painless condition in which he is given over to boredom; and that boredom is a direct proof that existence itself is valueless, for boredom is nothing more than the sensation of the emptiness of existence. For if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us. As things are, we take no pleasure in existence except when we are striving after something—in which case distance and difficulties make our goal look as if it would satisfy us (an illusion which fades when we reach it) ...'

rolling stones | arthur schopenhauer | philosophy | rock and roll | desire | boredom


Moral Motifs

'There is a sentimental rhetoric which readily waxes emotional about deserving paupers and unhappy millionaires alike, and which rails against money... These melodramatic and moral motifs are part of the everyday lives of poor people. Verbal propaganda of the rich, they make up the greater part of the average person's ideological baggage. Disguised as an indictment of money, they justify wealth by reducing it to a mere accident of the human condition...'

mo money | mo problems | lefebvre | biggie smalls | notorious BIG

kanye 125604997697652600


'The bigots, the hysterics, the destroyers of the self - these are the writers who bear witness to the fearful polite time in which we live... Ours is an age which obsessively pursues health, and yet only believes in the reality of sickness. The truths we respect are those born of affliction. We measure truth in terms of the cost to the writer in suffering - rather than by the standard of an objective truth to which a writer's words correspond. Each of our truths must have a martyr.'

kanye west | spike jonze | susan sontag