Craig Schuftan

WuTang1 e1395794252557

Once upon a time

"Music was now an object that could be owned by the individual and used at his own convenience... Now the Symphony of a Thousand could play to an audience of one. Now a man could hear nocturnes at breakfast, vespers at noon, and the Easter Oratorio on Channukah. He could do his morning crossword to 'One O'Clock Jump', and make love right through the St Matthew Passion. Anything was possible; nothing was sacred; freedom was absolute. It was the freedom, once the cathedral of culture had been wrecked, to take home the bits you liked and arrange them as you please. Once again, a mechanical invention had met capitalism's need to recreate all of life in its image. The cathedral of culture was now a supermarket."

Evan Eisenberg, 1987

"On Monday night, RZA introduced 13 minutes of the 31-track Once Upon a Time in Shaolin, which will be auctioned off to a single person in order ‘to restore the concept of value to music'... The point, says RZA, is to make a statement about the value of artists in an age where everything is available for free, and therefore disposable. "Artists are very rare people," says RZA. "Things have value when they are rare." To emphasise this preciousness, Once Upon a Time in Shaolin comes with lyrics handwritten on parchment and bound in leather, with a special Wu seal. "It’s a rare item," says RZA, "and tonight you’ll have the chance to get a small glimpse."

Alex Needham, 'Wu-Tang Clan unveil sole copy of new album', the Guardian, 2015.

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La perspective Kubrick en 104 secondesw670h372
03.01.14

Infancy and Progress

"The whole human species, looked at from its origins, appears to the philosopher as an immense whole, which, like an individual, has its infancy and its progress … The totality of humanity, fluctuating between calm and agitation, between good times and bad, moves steadily though slowly towards a greater perfection."

Said nobody, at any time in the last one hundred years. Nowadays, our view of the future is more like the one seen from the middle ages than the Enlightenment. But from where he stood in 1750, or perhaps sat, on a chair a bit like the one pictured above, the French statesman and economist Jacques Turgot could look back on the past five centuries and see a gradual transition from primitive agrarians torturing and killing each other over superstitious nonsense, to the confident era of the Enlightenment, with its stupendous advancements in astronomy, medicine and physics.

enlightenment | progress | history | kubrick | 2001

axlyoung
29.12.13

Lost Paradise

'Thus it is well known that a child learns to walk, talk and to know his way around the world just by trying something out and seeing what happens, then modifying what he does (or thinks) in accordance with what has actually happened. In this way, he spends his first few years in a wonderfully creative way, discovering all sorts of things that are new to him, and this leads people to look back on childhood as a kind of lost paradise. As the child grows older, however, learning takes on a narrower meaning. In school, he learns by repetition to accumulate knowledge, so as to please the teacher and pass examinations. At work, he learns in a similar way, so as to make a living, or for some other utilitarian purpose, and not for the love of the action of learning itself. So his ability to see something new and original gradually dies away. And without it there is evidently no ground from which anything can grow.'

guns n roses | axl rose | daniel bohm | childhood | creativity

Rolling Stones
19.12.13

No Satisfaction

'That human life must be some kind of mistake is sufficiently proved by the simple observation that man is a compound of needs which are hard to satisfy; that their satisfaction achieves nothing but a painless condition in which he is given over to boredom; and that boredom is a direct proof that existence itself is valueless, for boredom is nothing more than the sensation of the emptiness of existence. For if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us. As things are, we take no pleasure in existence except when we are striving after something—in which case distance and difficulties make our goal look as if it would satisfy us (an illusion which fades when we reach it) ...'

rolling stones | arthur schopenhauer | philosophy | rock and roll | desire | boredom

96982310151796901548620648145658n
17.12.13

Moral Motifs

'There is a sentimental rhetoric which readily waxes emotional about deserving paupers and unhappy millionaires alike, and which rails against money... These melodramatic and moral motifs are part of the everyday lives of poor people. Verbal propaganda of the rich, they make up the greater part of the average person's ideological baggage. Disguised as an indictment of money, they justify wealth by reducing it to a mere accident of the human condition...'

mo money | mo problems | lefebvre | biggie smalls | notorious BIG

kanye 125604997697652600
03.12.13

Monster

'The bigots, the hysterics, the destroyers of the self - these are the writers who bear witness to the fearful polite time in which we live... Ours is an age which obsessively pursues health, and yet only believes in the reality of sickness. The truths we respect are those born of affliction. We measure truth in terms of the cost to the writer in suffering - rather than by the standard of an objective truth to which a writer's words correspond. Each of our truths must have a martyr.'

kanye west | spike jonze | susan sontag

leemiller sf
28.11.13

Passing Discords

'Spinoza thinks that, if you see your misfortunes as they are in reality, you will see that they are only misfortunes to you, not to the universe, to which they are merely passing discords heightening an ultimate harmony. I cannot accept this; I think that particular events are what they are, and do not become different by absorption into a whole. Each act of cruelty is eternally a part of the universe; nothing that happens later can make that act good rather than bad, or can confer perfection on the whole of which it is a part.'

spinoza | bertrand russell | harmony | voltaire