Hello, my name's Craig Schuftan, I'm an author, broadcaster and radio producer from Sydney, Australia, currently living in Berlin. I've written three books on music and popular culture; The Culture Club (2007), Hey! Nietzsche! Leave Them Kids Alone! (2009) and Entertain Us! The Rise and Fall of Alternative Rock in the 90s, which was published in June 2012. My documentary series, Love in the 90s, was broadcast by ABC Radio National in 2014.
When I'm not writing books and producing radio, I'm lecturing, teaching, writing essays, talking about disco on TV, and making music with my band, Ducks!
This is my website, designed and constructed by my very talented friends at Paste. It looks a bit like a painting by Piet Mondrian, but instead of revealing the hidden order of the universe, it reveals the messy prehistory of pop music, the precise history of things, and the top speed of a wind-up penguin. There's a complete archive of triple j Culture Club radio stories, some videos of me talking about philosophy and disco, and a blog. Over here on the left you'll find illustrated excerpts from my books, here you can see some very nice pictures from the 'Entertain Us!' book launch, and somewhere in that box over there there's an 80s revival mix tape, some photos from my psychogeographic excursion to Hornsby, and a copy of that record with the guy saying "beat bang beat beat bang" on it. This is where I keep radio and print interviews, and here's that picture of me wearing a wig for the 'Blow Parade' album cover. Can I offer you a moth?
"Could it be that we come to the city in order to achieve solitude? Such has been the unspoken premise of the modern city of utopian individualism. By solitude I do not mean isolation. Isolation is a state of nature: solitude is the work of culture. Isolation is an imposition, solitude a choice."
walkman | ipod | iphone | isolation | solitude | city | the crowd
"The whole human species, looked at from its origins, appears to the philosopher as an immense whole, which, like an individual, has its infancy and its progress … The totality of humanity, fluctuating between calm and agitation, between good times and bad, moves steadily though slowly towards a greater perfection."
Said nobody, at any time in the last one hundred years. Nowadays, our view of the future is more like the one seen from the middle ages than the Enlightenment. But from where he stood in 1750, or perhaps sat, on a chair a bit like the one pictured above, the French statesman and economist Jacques Turgot could look back on the past five centuries and see a gradual transition from primitive agrarians torturing and killing each other over superstitious nonsense, to the confident era of the Enlightenment, with its stupendous advancements in astronomy, medicine and physics.
enlightenment | progress | history | kubrick | 2001
'Thus it is well known that a child learns to walk, talk and to know his way around the world just by trying something out and seeing what happens, then modifying what he does (or thinks) in accordance with what has actually happened. In this way, he spends his first few years in a wonderfully creative way, discovering all sorts of things that are new to him, and this leads people to look back on childhood as a kind of lost paradise. As the child grows older, however, learning takes on a narrower meaning. In school, he learns by repetition to accumulate knowledge, so as to please the teacher and pass examinations. At work, he learns in a similar way, so as to make a living, or for some other utilitarian purpose, and not for the love of the action of learning itself. So his ability to see something new and original gradually dies away. And without it there is evidently no ground from which anything can grow.'
guns n roses | axl rose | daniel bohm | childhood | creativity
'That human life must be some kind of mistake is sufficiently proved by the simple observation that man is a compound of needs which are hard to satisfy; that their satisfaction achieves nothing but a painless condition in which he is given over to boredom; and that boredom is a direct proof that existence itself is valueless, for boredom is nothing more than the sensation of the emptiness of existence. For if life, in the desire for which our essence and existence consists, possessed in itself a positive value and real content, there would be no such thing as boredom: mere existence would fulfil and satisfy us. As things are, we take no pleasure in existence except when we are striving after something—in which case distance and difficulties make our goal look as if it would satisfy us (an illusion which fades when we reach it) ...'
rolling stones | arthur schopenhauer | philosophy | rock and roll | desire | boredom
'There is a sentimental rhetoric which readily waxes emotional about deserving paupers and unhappy millionaires alike, and which rails against money... These melodramatic and moral motifs are part of the everyday lives of poor people. Verbal propaganda of the rich, they make up the greater part of the average person's ideological baggage. Disguised as an indictment of money, they justify wealth by reducing it to a mere accident of the human condition...'
mo money | mo problems | lefebvre | biggie smalls | notorious BIG
'The bigots, the hysterics, the destroyers of the self - these are the writers who bear witness to the fearful polite time in which we live... Ours is an age which obsessively pursues health, and yet only believes in the reality of sickness. The truths we respect are those born of affliction. We measure truth in terms of the cost to the writer in suffering - rather than by the standard of an objective truth to which a writer's words correspond. Each of our truths must have a martyr.'
kanye west | spike jonze | susan sontag