Hello, my name's Craig Schuftan, I'm an author, broadcaster and radio producer from Sydney, Australia, currently living in Berlin. I've written three books on music and popular culture; The Culture Club (2007), Hey! Nietzsche! Leave Them Kids Alone! (2009) and Entertain Us! The Rise and Fall of Alternative Rock in the 90s, which was published in June 2012.
This is my website, designed and constructed by my very talented friends at Paste. It looks a bit like a painting by Piet Mondrian, but instead of revealing the hidden order of the universe, it reveals the messy prehistory of pop music, the precise history of things, and the top speed of a wind-up penguin. There's a complete archive of triple j Culture Club radio stories, some videos of me talking about philosophy and disco, and a blog. Over here on the left you'll find illustrated excerpts from my books, here you can see some very nice pictures from the 'Entertain Us!' book launch, and somewhere in that box over there there's an 80s revival mix tape, some photos from my psychogeographic excursion to Hornsby, and a copy of that record with the guy saying "beat bang beat beat bang" on it. This is where I keep radio and print interviews, here's where we had that aztec beach party, here's that picture of me wearing a wig for the 'Blow Parade' album cover. Can I offer you a moth?
"What if I tell you now that I have often longed even for plays I have seen performed - frequently the very ones which bored me most - or for books I have read in the past and did not like at all? If that is not madness, there's no such thing."
"And you must not let yourself be misled, in your solitude, by the fact that there is something in you that wants to escape from it. This very wish will, if you use it quietly and pre-eminently and like a tool, help to spread your solitude over wide country. People have (with the help of convention) found the solution of everything in ease, and the easiest side of ease; but it is clear that we must hold to the difficult; everything living holds to it, everything in nature grows and defends itself according to its own character and is an individual in its own right, strives to be so at any cost and against all opposition. We know little, but that we must hold to the difficult is a certainty that will not leave us; it is good to be solitary, for solitude is difficult; the fact that a thing is difficult must be one more reason for our doing it."
Rainer Maria Rilke, 1904
rainer maria rilke | kate bush
'Acousmatic, the Larousse dictionary tells us, is the 'name given to the disciples of Pythagoras who for five years, listened to his teachings while he was hidden behind a curtain, without seeing him, while observing a strict silence.' Hidden from their eyes, only the voice of their master reached the disciples.... In ancient times, the apparatus was a curtain; today, it is the radio and methods of reproduction, along with the entire set of electro-acoustic transformations, that place us, modern listeners to an invisible voice, under similar conditions.'
Pierre Schaeffer, 'Acousmatics', 1966
pierre schaeffer | musique concrete | sonorous objects | acousmatics | pythagoras | phenomenology | twin peaks | red room
'Imagine a traveller from a hundred years ago arrives at our doorstep and asks us why the music of the 20th century operates so frequently on the basis of cyclic repetition. Not just the rap and dance genres of popular culture, but also minimalism - perhaps the single most viable strand of the Western art music tradition... why does so much of our music work this way? What kind of needs do these patterns satisfy?'
Susan McClary, 1999
stardust | daft punk | susan mcclary | minimalism | loop | chaka kahn | repetition
"Could it be that we come to the city in order to achieve solitude? Such has been the unspoken premise of the modern city of utopian individualism. By solitude I do not mean isolation. Isolation is a state of nature: solitude is the work of culture. Isolation is an imposition, solitude a choice."
walkman | ipod | iphone | isolation | solitude | city | the crowd
"The whole human species, looked at from its origins, appears to the philosopher as an immense whole, which, like an individual, has its infancy and its progress … The totality of humanity, fluctuating between calm and agitation, between good times and bad, moves steadily though slowly towards a greater perfection."
Said nobody, at any time in the last one hundred years. Nowadays, our view of the future is more like the one seen from the middle ages than the Enlightenment. But from where he stood in 1750, or perhaps sat, on a chair a bit like the one pictured above, the French statesman and economist Jacques Turgot could look back on the past five centuries and see a gradual transition from primitive agrarians torturing and killing each other over superstitious nonsense, to the confident era of the Enlightenment, with its stupendous advancements in astronomy, medicine and physics.
enlightenment | progress | history | kubrick | 2001